Concrete tablet, and takeaway charcoal rubbing
Meeting point was developed as a response to the history of cruising culture. The work was created as this idea of creating a tablet or a marker as a recognizable point in which two forms come together. Similar to the charcoal touching the paper or the paper touching the stone. In the act of the take away the meeting point is removed from existing as a singular and becomes something which exists in the many.
Exhibition / BFA panel critique/ MNG
Untitled ( I pack you away), 2016
Plastic bag, found clothing
Meeting point, 2016
Concrete tablet, and take-away newsprint charcoal rubbings
Leather, 2016
My father's leather jacket, wood dowling
I'm sorry (Casablanca Lilies), 2016
Casablanca lilies, and replenished takeaway flower notes
And After That We Didnt See Each Other Much is composed of work examining roles of iconic masculinity and sentimentality challenging notions of sexuality, the past, loss, and queer identity. Blue jeans and white shirt were this fabricated uniform of masculinity, through its connections to idealistic men like James Dean, Bruce Springsteen, or Steve McQueen. It was the look of the liberated urban man. Tight Fitting white shirt tucked into tight fitting blue jeans, evokes the expression of the nostalgic sexual male. I use this as an abundantly overly romanticized nostalgic expression of male sexuality and a means to explore the absent male body and as an act of silent rebellion in claiming these iconic images of nostalgic masculinity as queer and sentimental.
Edition of endlessly photocopied posters, 2017
ongoing project of hand painted signs, 2017-
Inkjet print on photo paper, wood dowling, 2017
Wood Arrow, cooper, paper, ink, 2017
Red dyed concrete, blue jeans, white shirt, 2017
Edition of posters, 2017
Charcoal rubbing, Edition of posters, 2018
Concrete tablet, and takeaway charcoal rubbing
Meeting point was developed as a response to the history of cruising culture. The work was created as this idea of creating a tablet or a marker as a recognizable point in which two forms come together. Similar to the charcoal touching the paper or the paper touching the stone. In the act of the take away the meeting point is removed from existing as a singular and becomes something which exists in the many.
Exhibition / BFA panel critique/ MNG
Untitled ( I pack you away), 2016
Plastic bag, found clothing
Meeting point, 2016
Concrete tablet, and take-away newsprint charcoal rubbings
Leather, 2016
My father's leather jacket, wood dowling
I'm sorry (Casablanca Lilies), 2016
Casablanca lilies, and replenished takeaway flower notes
And After That We Didnt See Each Other Much is composed of work examining roles of iconic masculinity and sentimentality challenging notions of sexuality, the past, loss, and queer identity. Blue jeans and white shirt were this fabricated uniform of masculinity, through its connections to idealistic men like James Dean, Bruce Springsteen, or Steve McQueen. It was the look of the liberated urban man. Tight Fitting white shirt tucked into tight fitting blue jeans, evokes the expression of the nostalgic sexual male. I use this as an abundantly overly romanticized nostalgic expression of male sexuality and a means to explore the absent male body and as an act of silent rebellion in claiming these iconic images of nostalgic masculinity as queer and sentimental.
Edition of endlessly photocopied posters, 2017
ongoing project of hand painted signs, 2017-
Inkjet print on photo paper, wood dowling, 2017
Wood Arrow, cooper, paper, ink, 2017
Red dyed concrete, blue jeans, white shirt, 2017
Edition of posters, 2017
Charcoal rubbing, Edition of posters, 2018